Rising Spanish-American singer Victoria Canal released her new single “Drama” as a message to her inner critic. The 21-year-old has been developing her musical ability since age 11, and “Drama” proves she’s opening herself up to new possibilities in pop, evolving her sound from her2016 single “City Shoes.” “Drama” splashes …
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Two and a half minutes of careening punk-metal bile, Binky Philips and the Planets’ “Splitsville for Bust” sounds like somethingthat could have been heard blaring out of a downtown New York club in the early Seventies. And there’s a reason for that: It’s a new and inordinately hooky rocker from …
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Danzig‘s “Mother” is a great song, but more importantly, it’s a great song that lends itself well to covers. A heavy-metal track about censorship with a melody that wouldn’t be out of place in a Supremes song, “Mother” has been covered by everyone from Sleater-Kinney and Coheed and Cambria to …
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Everybody Works, the 2017 debut album from Jay Som (a.k.a. singer-songwriter Melina Mae Duterte) was “bedroom-pop” that made her own private world seem like a expansive biosphere, fusing influences from Ariel Pink-style L.A. chillwave to Carly Rae Jepsen-aware Eighties-loving bubblegum, confessional indie-rock to yacht-y Eighties R&B. The songs were immediately …
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“True love is making a comeback,” Weyes Blood, a.k.a. Natalie Mering, announces over jovial piano chords. In “Everyday,” the second single off her new album, Titanic Rising, Mering seesaws between inescapable loneliness and the hazards of falling in love. “Got a lot of things to clear away/Got a lot of …
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